Showing posts with label logos. Show all posts
Showing posts with label logos. Show all posts

Monday, October 3, 2016

Gold Medal Design

The 2016 Rio Olympics passed with a sufficient amount of scandal, but no real disasters. In total, I watched maybe an hour of diving while sitting at a bar, waiting out a rain storm. I've never really gotten into the Olympics. Maybe I'm unpatriotic. Maybe I just don't like to sport. But I do like to brand— and the Olympics provide a very unique branding opportunity. 

Every two years, a different city hosts the Olympic games, and each city gets to design it's own logo, which will be reproduced on uniforms, on swag, in print, online, on stadiums — global exposure for millions, if not billions, of impressions. 

It's a challenging mark to create. It must include the 5 Olympic rings, the city name, the year, and a unique mark. Sometimes this is achieved quite elegantly, sometimes... not so much. 

The AIGA has compiled all the Olympic logos since 1924 and had Milton Glaser grade them on a 100 point scale. You can check out Eye on Design here to see if you agree with his grading (I didn't). Also, see how many of the recent logos you remember— the only ones that felt familiar to me were London 2012 (for it's horridness) and Atlanta 1996. 


As far as favorites, I picked three:
1. Athens 2004 - for bringing back the Greek. This is a simple, classy mark, that modernizes the traditional Olive wreath. 
2. Tokyo 1964 - it so clearly represents the country in a totally simple and uncluttered way. 
3. Montreal 1976 - I like that the rings are worked into the logo itself, though I'm not entirely sure if this is a "M" or a building. 

And what about Rio?

The Rio mark is fluid and organic. The color scheme is fresh. I didn't totally love the dancing dudes though... at least not until I noticed the corresponding family of icons that accompanies it. 
There's a full set of icons representing each sport in the games—clever little stick men sporting. These sort of sold me on the Rio mark. 

So what's to come? On the Eye on Design page, you can also get a sneak peak at the works-in-progress for the 2018 PyeongChang, 2020 Tokyo and the 2022 Beijing game marks. Nothing like spying on the design process! ;)

Friday, August 1, 2014

Branded for the Perfect Pour

A good logo represents a brand and the product or service to which they belong. A great logo serves a greater purpose....

As it turns out, the harp on the glass has more than ornamental purposes. When Guinness is poured properly into a branded Guinness pint glass, the harp icon serves as a measuring aid.

Back at the Guinness Storehouse, the fourth floor is home to the Guinness Academy, where you can learn the art of the perfect pour. Start the pour by holding the glass at a 45-degree angle under the spout and slowly fill the glass to the top of the harp. Allow the beer to settle before topping it off.

 
The harp has been a widely recognized beacon of the Guinness brand since 1876. It is based on the harp of Brian Boru (housed at Trinity Library), the high King of Ireland from 1002 to 1014.
 
Coincidentally, a harp is also the official national emblem of the Republic of Ireland, appearing on passports and state documents. The Guinness harp always has a Left straight edge and the Republic of Ireland harp always has a Right straight edge in order to distinguish the two trademarks.

Awfully nice of the Country to adjust their national symbol to accommodate the trademark of a (albeit beloved and iconic) beer brand!